1/23/2024 0 Comments Drummer red hot chili peppers![]() The overall tone of the album deals with band tensions, life in Los Angeles and sexuality, but if tracks like ‘Love Trilogy’ aren’t for the faint-hearted, so much the better for those with stronger constitutions. They cover Bob Dylan’s ‘Subterranean Homesick Blues’ and remove all the folk to replace it with sparse funk. Often reckoned by the band members to be the rockingest thing they’ve done, it is certainly a wildly eccentric garage grinder. The sound so thick it stuck to the ribs and having a live intensity to match took a toll on various band members but The Uplift Mofo Party Plan (1987) didn’t suffer since various band changes enabled the original group to convene on an album that tricks reggae grooves into a molten heavy metal melange and this became their first Gold seller. The Meters themselves also turned up for their showpiece as did Sly Stone, composer of ‘If You Want Me To Stay’ (listen to the original on Sly and the Family Stone’s epic Fresh album). Adding a blowsy New Orleans flavoured coating to their West Coast thrust did the Peppers no harm, nor did the addition of high-class horn parts from Maceo Parker and Fred Wesley, while Clinton used his clout to persuade Gary Shyder and Andrew Williams to add a vintage sheen to the modernist mood. Made in Detroit, Freaky Styley, is a down and dirty disc enlivened by the controversial ‘Catholic School Girls Rule’ and the band’s fiendish reworking of a Meters strut now named ‘Hollywood (Africa)’. It was and is a unique blend of styles, aided by copious amounts of Clinton’s tall tales and his alchemical approach to recording. The core fans were also thrilled to find that Slovak returned to chop his guitar antics into a rhythmic mash-up. Outstanding cuts like ‘True Men Don’t Kill Coyotes’, ‘Get Up and Jump’ and a weird enough cover of Hank Williams’ ‘Why Don’t You Love Me’ ensured the album won raves and this item has long been regarded as a well-kept secret amongst the fan base, who would also have noted that Gwen Dickey from ‘70s soul disco outfit Rose Royce provided backing vocals on the haunting ‘Mommy, Where’s Daddy?’ġ985’s equally punchy Freaky Styley captured the mood of the decade with a fierce amalgam of white rock riffs and in the groove soul-funk, all of it expertly overseen by none other than George Clinton of Parliament-Funkadelic fame – a pretty inspired choice considering the RHCP’s propensity to take their sound out to the edge. Writers and hard-core rockers loved the album’s dense textures and atmospheric vocals and the Chili Peppers built a strong college and FM radio basis. Their debut album, The Red Hot Chili Peppers (1984) produced by Gang of Four’s guitarist Andy Gill in Hollywood nailed down a brand of funk-rock and rap that became the blueprint for the next few years. In 1983 their reputation was so word-of-mouth that they signed an unprecedented seven-album deal – with Slovak and Irons making way for Cliff Martinez and Jack ‘Jewfro’ Sherman. Founding members Anthony Kiedis (vocals and lyrics), super bassist Michael ‘Flea’ Balzary, drummer Jack Irons and guitarist Hillel Slovak emerged from a schoolmate’s thing at Fairfax High – in those days they were rapping and rocking and performing improvised live sets that soon won them a following outside the school hall. They began life as a psychedelic hard rock troupe with plenty of funk and hip-hop grooves to call on. In the beginning, the word was Red Hot Chili Peppers with the accent on red-hot. But first let’s take a trip back in time to Los Angeles, dateline 1983. We have a select grab of their repertoire, including those esoteric first four essential albums, a live disc and the must-have What Hits?. They’ve won a creditable six Grammy Awards and mutated into a modern Californian supergroup, their various members being in-demand as musical specialists, producers and mentor/consultants. During an ongoing career stretching from the mid-80s to today, they’ve rectified that initial underachievement by clocking up sales over the 80 million mark. ![]() Their brilliant early albums were critically acclaimed and won them a fanatical cult following in various pockets of North America and Europe but it wasn’t until their fourth disc, the outstanding Mother’s Milk, that the Chili peppers began to see a return on their investment in hardcore rock mixed with blues, stellar funk and supercharged sexuality that turns their live shows into scenes of bacchanalian splendour. Strange as it now seems the Red Hot Chili Peppers took a while to turn themselves into stadium packing superstars.
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